Difference between revisions of "Material Culture Studies"
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*[[The Journal on Nordic Museums and Museology]], Nordisk Museologi. | *[[The Journal on Nordic Museums and Museology]], Nordisk Museologi. | ||
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| + | *[[Mathematical Wunderkammern]], by William Mueller. | ||
"Museums are engaged in an ongoing project, not always successfully, to conceal plebeian roots and some very crass commercialism. The harder they try, the more they ought to beware the visitor with sketchbook in hand." | "Museums are engaged in an ongoing project, not always successfully, to conceal plebeian roots and some very crass commercialism. The harder they try, the more they ought to beware the visitor with sketchbook in hand." | ||
[http://www.chass.utoronto.ca/~mfram/Pages/3046-wits.html] | [http://www.chass.utoronto.ca/~mfram/Pages/3046-wits.html] | ||
Revision as of 14:17, 21 August 2008
"As in totemism, we participate in each other as we participate in the object." —Sartre, Les jeux sont faits, 1943, and Norman O. Brown, Love's Body, 1966.
Jules David Prown. Artifacts as Evidence.
- The Journal on Nordic Museums and Museology, Nordisk Museologi.
- Mathematical Wunderkammern, by William Mueller.
"Museums are engaged in an ongoing project, not always successfully, to conceal plebeian roots and some very crass commercialism. The harder they try, the more they ought to beware the visitor with sketchbook in hand." [1]
