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General Introduction

The main exhibition space and research areas of the Museum as they appeared in 2007.

A German critic, W. Bürger [writes] "Our Museums...are veritable graveyard-yards in which have been heaped up, with a tumulour-like promiscuousness, the remains which have been carried thither...all are hung pell-mell upon the walls of some noncommittal gallery—a kind of posthumous asylum, where a people, no longer capable of producing...come to admire this magnificent gallery of débris.” —G. Brown Goode, Museums of the Future, Smithsonian Institution, Washington, D. C., 1891: p. 427

The Collection of artifacts at the Main Street Museum is a unique experiment in material culture studies, consisting of objects of varied origins—man-made (or historical) and biological, botanical and mineralogical.

The Museum forges nimble links and reflects meanings from object to object, from object to viewer, and from the viewer back to the object again. Our website features “wiki” software and includes the catalog of our varied holdings in a manner that is fully accessible and modifiable electronically. Assigning nuanced values to artifacts is increasingly difficult in the environment of most major collecting institutions. The neutrality of theoretical systems utilized by any museum is currently being called into question. As a small independent repository the Main Street Museum has the flexibility—indeed the mandate—to examine the layered and ever changing meanings of objects and their relationships to their surroundings. As the uses for objects are more or less continuously in flux, we analyze these uses through traditional disciplines (art historical, scientific and qualitative methods), but also through psychological analysis as well. Our emotional relationships with objects are formed circuitously. Therefore the meaning of objects is unlocked only through similar, indirect means.

We accession items based on the sustained interest that has been shown them and the attentiveness they demonstrate towards us.

Perhaps the only true meaning in objects lies in the questions each one them asks of us.

Items that are still largely intact are valuable additions to the Museum. Items that are in poor condition are given special attention. The kernel contained within each object is an encapsulated question. We offer no answers here.

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Publicity

Categories including Series and Subseries and Vinculum Categories

Categories are often both overlapping (vinculum) and mutable. At the Main Street Museum they include, but are not limited to: Flora; Fauna; Exotica (geographically diverse objects); Shoes (and Tiny Shoes); Fiber, Textiles and Costumes; Tangled Things; Objects Associated with Famous People; Round Things; Objects with Orifices; Bad Art; Bad Craft; Recreated Artifacts Refused by Dartmouth Realia; Amulets and Sacred Objects; Judæica; Vermontiana; Relics from the Civil War/War Between the States; and Unidentified Mammals or “Flocked Pets.”

Main Street Museum Catalog of Artifacts (Catawiki)

Objects as Evidence of Human Culture

Artifacts as Evidence of Religion; Comparitive Religious Studies

The American Indian

Evidences of Deconstruction in the Building and Construction Trades

Geographically Significant Artifacts

Historic Artifacts

Man-made Minerals

Manuscripts and Journals

Shoes

Tramps

The Work-day World of White River Junction

Pet Toys

Two Dimensional Evidence Paper; Archive Collections

Manuscripts and Letters

Photographs

Postcards

Sheet Music

Military History Collection

The War of the Rebellion/War Between the States

The Renssalaer William Foote Memorial

Armaments and Military Technology

Sound (Audible) Artifacts

Art

Two Dimensional Pieces

Textiles

Three Dimensional Art, Sculpture

Modern Art Created By Accident (MACBA)

Elvis Aaron Presley Visual Art Amalgam

Bad Craft

Cat, or Unidentified Mammal? You decide.

Fauna; Living, or Apparently Once Living, Objects

Humans

The Ossuary; Bones

Teeth and More Teeth

North American Mammals

The Leroy Short Sporting and Wild Game Memorial

Specimens (or Objects relating to) Birds of the Americas

Flora; Living, or Apparently Once Living, Objects

Trees; The Animistic Perspective

Exotic, Tropic and Sub-tropic Vegetable Samples

Cycadopsida

Corn; Taxanomic Theories relevant to Zea mays

Flowers

Ferns

Mosses and Lichens

Nuts, Pods and Seeds

Entomology; Insects

Minerals; Inanimate, or Apparently Inanimate Objects

Other

Vinculum Categories

Carbon

Color as a Hysterical Reaction

Flocking; An Industrial Process

The Human Head

Inanimate Objects

Living, or Apparently Once Living, Objects

Oxidization

Round Things

Tangled Things

  • Categories Teeth and More Teeth and especially Color as a Hysterical Reaction, Round Things and Tangled Things created by curation teams of the Robert Hull Fleming Museum, University of Vermont.)

References and Archive